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Russell C. Smith's avatar

Twain, Dylan, Dickens, McLuhan, and Bradbury weaved into and out of the conversation, and thankfully our minds have been opened by all of them. Thanks for this far ranging piece that began with technology altering our world, as it's been doing for centuries, and now at an accelerated pace.

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Joshua Doležal's avatar

I suppose anyone writing formulaic romance novels ought to fear the new AI, and I've seen some intelligent commentary on how it might automate soul-enervating tasks like writing radio ads for local businesses. There is a human cost here, if it then requires fewer people to write radio ads, but it's typically a losing argument to try to defend human labor when the labor itself is not meaningful.

I've not yet seen anything produced by ChatGPT that ought to make literary writers worry, and clearly there can be no substitute for immersion journalism, since AI cannot walk through flooded streets or war zones interviewing suffering people.

Your point about the typewriter or the dictation-typewriter combination transforming prose style is interesting. Since AI seems to be able to imitate most prose styles, it seems a revolutionary technology in that way, and one that might seem to foreclose the possibility of innovating away from it. Even so, there is no evidence, is there, that AI could produce a fully realized bildungsroman or anything approaching James Baldwin's sentences or Toni Morrison's sensibility?

I lose the thread somewhat in your discussion of Dylan, and the subsequent comparison of humans to machines vis a vis the Aeolian Harp. The Romantic notion of channeling in that way is not at all machine-like, is it? Epiphany was/is a key part of that conceit, and it seems inconceivable that AI has the potential for sudden insight or inspiration.

I think about this similarly to Ellen Ullman in her fine 2004 essay "Dining with Robots." A robot will never be capable of enjoying a gourmet meal or the interhuman pleasure of speaking to farmers or ranchers at an open-air market in preparation for the meal. Ullman reflects, while visiting a supermarket, that instead of robots becoming more humanlike, they have made humans more robotic. That, to me, is the real danger of ChatGPT. It's not necessarily the end of innovation, but it might mark the end of readers' appetite for innovation. Those of us who need to create art or to struggle with things in essay form will assuredly continue doing so, but whether we'll have readers is another question.

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